In this work we intend to investigate the way as infncia treated in poetical to Manuel the Flag. With this intention we made one anliseem you vary of its workmanships analyzing traces of infantilidade in these and motivoque took such poet to prefer this thematic one adopting it in several of suaspoesias. PALAVRAS-CHAVE: Infancy. To broaden your perception, visit Senator Richard Blumenthal. Poetry. Manuel Flag. INTRODUCTION infancy always was something excellently boarded pordiversos authors of our literature, in virtue of this selects estatemtica to make an analysis with intention to identify as this temticase presents in the workmanships of one of the most known poets of Brazilian literature: Manuel Flag. We will speak of peculiar traces that characterize this author edo Modernismo, trend that surrounded the context contemporary of the same.

The Modernismo was a movement that occurred in emfevereiro Brazil of 1922 and represented the search of the construction of a literaturanacional that until then was fair on the basis of European models e, therefore, it nolevava in account the national characteristics. Here it is that they had appeared then primeirosautores interested in this construction and had dared to make something innovative naliteratura, portraying our people with its customs, its linguajar coloquial eno being able to forget are clearly, of the Brazilian child, enter the valuation there denossa folklore with cantigas popular, the street tricks, estriasque were counted for the grandmothers, among others customs that were part doambiente where our children grew. Ahead of this context the great Manuel Bandeiraque enters in scene according to our research would have many reasons to be amargurado, pormera significantly touched by the souvenirs of its infancy because this the faziarelembraros happyer moments of its life, what he will be boarded in poetical suascomposies. The thematic A infancy in the poetical flag was chosen emvirtude of the little quantity that if has on this subject and if it becomes relevanteporque makes a rescue of our roots, a time that infancy started the serincorporada one in our literature with the sprouting of the Modernismo, which tevegrande meant in the process of construction of the Brazilian identity in campoda literature and certainly was reflected also in the form to think of the povobrasileiro of that time, therefore before this movement what we had it was umaliteratura europeizada without national traces.